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EMIL JANNINGS "THE WAY OF ALL FLESH" 1928 MOVIE HERALD

$ 13.19

Availability: 45 in stock
  • Country/Region of Manufacture: Uruguay
  • Original/Reproduction: Original
  • All returns accepted: ReturnsNotAccepted

    Description

    Original Herald from Uruguay and Argentina in South America. This kind of gorgeous heralds are quite scarce, they were printed by a local distributor (Max Glücksmann) just during a short period of time between the late 1920's and the late 1930's. Usually printed on both sides, in full color or in duotone inks featuring Art Deco style, they show great graphics from the films advertised. Most advertise a single feature movie, while a few examples advertise double movie programs.
    Local Title: DE CARNE SOMOS
    Original Title: THE WAY OF ALL FLESH
    Year / Country: 1927 - USA
    Company: Paramount Pictures
    Genre: Drama
    Director: Victor Fleming
    Starring: Emil Jannings
    Size (unfolded): 260 mm x 175 mm
    Condition: Very Good
    Ref #: B-78
    Herald advertises this film as shown at CINE DORE from Uruguay on Thursday, October 18, 1928
    Comments:
    The Way of All Flesh is a 1927 American silent drama film directed by Victor Fleming, written by Lajos Bíró, Jules Furthman, and Julian Johnson from a story by Perley Poore Sheehan. Star Emil Jannings won the first Academy Award for Best Actor in a Leading Role at the 1929 ceremony for his performances in this film and The Last Command, the only year that multiple roles were considered. It is now considered a lost film.
    Plot:
    In the story, which opens in the early 1900s, Jannings plays August Schiller, a bank clerk in Milwaukee who is happy with both his job and his family. But when bank officials ask him to transport ,000 in securities to Chicago, he meets a blond seductress on the train, who sees what he is carrying. She flirts with him, convinces him to buy her a bottle of champagne, and takes him to a saloon run by a crook. The next morning he awakes alone in a dilapidated bedroom, without the securities. He finds the woman, and at first pleads with her, then intimidates her to return the stolen securities. He is knocked unconscious by the saloon owner and dragged to a nearby railroad track.
    As the crook strips him of everything that might lead to his identification, Schiller recovers consciousness, and in a struggle the crook is thrown into the path of an oncoming train and killed. Schiller flees, and in despair is about to take his own life, when he sees in a newspaper that he is supposedly dead, the crook's mangled body having been identified as Schiller's. The time passes to twenty years later. Schiller is aged and unkempt, employed to pick up trash in a park. He sees his own family go to a cemetery and place a wreath on his grave. Following other scenes in a Christmas snowstorm, Schiller makes his way to his former home, where he sees that the son whom he had taught to play violin is now a successful musician. He walks away, carrying in his pocket a dollar that his son has given him, not recognizing that the old tramp is his father.
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